These Paintings, pretendedly allegorical satellite views of mountain and desert formations, generated by unpredictable digitally fluid compositions, are arranged over meticulous geometry as a manifestation of human struggle for control, giving way to readings of figuration and becoming a bridge between the timeless and the transient, the dangers of the seen and the excitement for the unknown.

A dialogue unfolds between untamed vastness and human capacity of transformation in constellations of detailed brushstrokes that perform as cultural cannibals, devouring and reprocessing whichever element they can consume to deliver a new sovereign frontier.

In this very personal series of works, the magnitude of natural force presents as a dynamic actor in the narrative of art history and technological access, as an amalgam of the natural and the artificial.